By Austin Franklin, Special to The Sybaritic Singer Anaïs Maviel’s recent solo performance at Obey Convention (K’jipuktuk | Halifax, Nova …
Album Review
in review: “In Search of Lost Beauty…”
By Austin Franklin, Special to the Sybaritic Singer New York-based Lithuanian-born composer Zibuokle Martinaityte (b. 1973) released the …
in review: Unheard-of//Dialogues
By Katie Heilman, special to The Sybaritic Singer New York-based ensemble Unheard-of//Ensemble releases its debut album, …
in review: Cassandra Venaglia and Dante Luna’s “La Figlia che Piange”
By Katie Heilman, Special to The Sybaritic Singer The latest collaboration between Los Angeles-based composers Cassandra Venaglia and Dante …
in review: Florescer (Bloom) from pianist and composer Rebecca Hass
By Austin Franklin, Special to The Sybaritic Singer “Florescer” is the debut album of Minnesotan pianist and composer, Rebecca Hass. …
in review: Samantha Ege’s “Four Women”
By Cara Search, Special to the Sybaritic Singer Stepping confidently into the minefield of socially corrective art history, British pianist …
in review: Claudia Friedlander’s “Complete Vocal Fitness”
By Ashley Emrick, Special to the Sybaritic Singer Complete Vocal Fitness: A Singer’s Guide to Physical Training, Anatomy, and Biomechanics …
in review: Cristina Spinei’s “Mechanical Angels”
By Gary Ruschman, Special to the Sybaritic Singer It’s easy to get a premiere. It can even be easy to build momentum as a composer and get …
in review: Underground System’s “What Are You”
By Cara Search, Special to The Sybaritic Singer On September 7, 2018, Underground System’s first full-length album, What Are You, hit the …